Three Article Tests
One of mentalism's most popular and enduring effects. After three different small objects are introduced, you divine which object each of three spectators has secretly concealed (in their pocket, etc.). Plus, effects using Bob Hummer's three card monte methodology.

The Three Article Test $4.00 PDF (or just $2.80 when you buy 3 or more PDFs)
Three brilliant solutions for the classic Three Article Test. Here's the basic effect: You introduce or borrow any three objects. For example, a watch, a ring and a key. You now turn around and three different spectators each...

The Boxes of Chang $4.00 PDF (or just $2.80 when you buy 3 or more PDFs)
Jack Miller's acclaimed handling for "The Three Article Test." The performer leaves the room, after which several spectators each select an article and also one of the mysterious “BOXES OF CHANG.” Each spectator...

Cryptesthesia $4.00 PDF (or just $2.80 when you buy 3 or more PDFs)
Wallace the Magician's early manuscript on the three article test, CRYPTESTHESIA - an effect he called "The World's Greatest Pseudo-Divination Trick." Three everyday objects, such as a ring, watch and button, are each concealed by a different spectator...

Under Suspicion $4.00 PDF (or just $2.80 when you buy 3 or more PDFs)
In this new manuscript, we bring together two entertaining crime/murder mystery classics - The Plot's The Thing by Gerald Kosky (two variations) and Jack Yates' Accusation. In both routines, you solve a crime which certain...

Ultimate Hummer Monte $5.00 PDF (or just $3.50 when you buy 3 or more PDFs)
Two powerful versions of Hummer's famous effect—an easy-to-perform close-up version based upon Hummer's original handling along with a little-known variation developed by Sam Schwartz...

Al Koran's Note Under Cup $5.00 PDF (or just $3.50 when you buy 3 or more PDFs)
Shortly after its release in 1951, Al Koran adapted Bob Hummer's Mathematical Three Card Monte to locate a crumpled up banknote secretly placed under one of three cups, which were then well mixed — all while the performer’s...
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